Acrilic on canvas
60 W x 40 H x 1.5 D inches
This work, Virzhe draws from archaic representations of the feminine, translating ancient symbols of fertility into the language of contemporary minimalism. The thick, curved gestures echo prehistoric markings found across early cultures of Europe, the Middle East, and Central Asia-forms that once invoked protection, birth, and the generative force of the female body.
What initially appears as a simplified anatomical fragment transforms into a universal emblem of origin.
The doubled shapes create a rhythmic, almost ritualistic mirroring: two forces in quiet dialogue-mother and child, inner and outer, body and spirit.
The painting recalls a time when image, symbol, and life were inseparable; when visual marks were not merely descriptive but served as portals to understanding one's place in the world.
Here, the minimal sign carries the memory of the feminine creative power, of the cycle of life, and of motherhood as a cosmic principle rather than a social role.
Acrilic on canvas
60 W x 40 H x 1.5 D inches
This work, Virzhe draws from archaic representations of the feminine, translating ancient symbols of fertility into the language of contemporary minimalism. The thick, curved gestures echo prehistoric markings found across early cultures of Europe, the Middle East, and Central Asia-forms that once invoked protection, birth, and the generative force of the female body.
What initially appears as a simplified anatomical fragment transforms into a universal emblem of origin.
The doubled shapes create a rhythmic, almost ritualistic mirroring: two forces in quiet dialogue-mother and child, inner and outer, body and spirit.
The painting recalls a time when image, symbol, and life were inseparable; when visual marks were not merely descriptive but served as portals to understanding one's place in the world.
Here, the minimal sign carries the memory of the feminine creative power, of the cycle of life, and of motherhood as a cosmic principle rather than a social role.